Pabst blue ribbon sound society

Pabst blue ribbon sound society

It’s so easy nowadays to get caught up in what’s trendy, and in the age of independent artists being able to produce and release work on one’s own, it’s hard to stand out when there’s so much content available at our fingertips. But in the end, if you’re doing something that feels 200% authentic to you, confidence will follow. Clear and to the point, the legendary Aretha Franklin knows her stuff.

Sorry if you weren’t there, but the late ’90s and early 2000s were fantastic. Once P2P was pioneered via Napster, the floodgates opened and the world of music sharing was here to stay. As an artist and a listener, my personal opinion is that we’ve regressed from that time. The problem with the P2P era, admittedly, was that artists were not getting remunerated for their recordings as disruptive tech eagerly pulled down the bloated major-label system. But, well, we’re still not getting paid that much anyway.

Once the band and venue begin to show interest, the next thing to do is lock down a confirmed date. This can take some back and forth. Talented people and popular venues are always busy, but that shouldn’t be a huge issue. Just be patient. When asking about dates, always be prepared to suggest a couple alternatives so you can enjoy some flexibility. When the date is locked down, it’s time to talk about money.

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All of our mentored online courses come with six weeks of 1-on-1 professional support and feedback on your work. It’s like having a personal trainer, but for music! That means you’re not just getting the course content, but a coach to bounce ideas off of and someone invested in your success. Check out our courses such as Songwriting for Producers, Beat Making in Ableton Live, and of course The Art of Hip-Hop Production, and preview any or all for free!

Whatever the case, holiday albums do seem to be a great way for musicians to pull in a bit of extra cash, especially in a year when an artist hasn’t released significant new material. Holiday songs are mostly public domain, since their copyrights have lapsed, which means more royalties for the singer. These albums often “hit the shelves” (that won’t be a term for much longer…) as early as October, in order to give them a bit of time to build publicity and airtime. Labels will start ramping up marketing towards mid-late November, right as Black Friday and holiday gift fever starts to set in.

There you have it, you can create huge shoegazing walls of guitar sound without having to strain your back carrying a huge pedal case. Of course, this is only the tip of the iceberg, but if you want your guitar tones to be as cold as that iceberg, this is a great place to start. Be creative and mess around, and if you’re ready to start writing, check out my post on finding your shoegaze sound through different chords and tunings. I hope to hear some music from you guys soon! Post your tunes in the comments below.

Erik Veach is the owner and lead audio engineer at Crazy Daisy Productions, providing mixing, mastering, and sound editing services since 2001. He is the original pioneer of automated intelligent mastering systems, introducing them for use in professional music production in 2003.

Planning to take your creative or compositional practice out of the house sometime soon? These gorgeous residency locations will have your jaw on the floor.

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With that said, here are seven of my best tips that will help set you up for success every time you sit down to create. And if you’d like additional personalized help, all of our Soundfly Mentors are equipped with time management and coaching training to help you take your project to the next level quicker and make it overall better sounding. Learn more about joining a four-week mentorship session here, and tell us about your personal musical goals here.

“[This] might sound a bit subjective, but the most valuable thing I learned was how to be more sensible about the emotion that every type of chord can produce, and not only a single chord, but in the context of a chord progression by how each chord note moves to the next.”

Following one of the first major hip-hop settlements between De La Soul and The Turtles in 1989, Biz Markie was sued over his hit single “Alone Again.” Markie’s song samples the piano chords from Gilbert O’Sullivan’s “Alone Again (Naturally)” and uses the same lyrical hook. Markie’s record label initially tried to get the rights to “Alone Again (Naturally),” but when O’Sullivan refused, the label released the song anyway. Markie was in turn found guilty of copyright infringement.

This form is super common in classics and jazz standards. You start with a section, repeat it, move on to something else, and come back to that first idea again. Most recordings of standards like Gershwin’s “I Got Rhythm” use this form, sometimes featuring additional repetition to extend the song. Two other famous examples are “All I Have to Do Is Dream” by The Everly Brothers and “Yesterday” by The Beatles.

Brant Wilson is an amateur musician and student based out of Indianapolis, Indiana with a special love for classical music and a goal to learn to play as many instruments as possible.