The sign of a thriving music city is one that the residents are excited to be a part of it. This is the case with Asheville — musicians and fans there not only feel excited and lucky to call Asheville their home, but they are genuinely thriving there
Bob Dylan is particularly famous for doing this. It’s not uncommon to adapt everything from nursery rhymes to full-blown songs. Here’s where Dylan got the inspiration for “Don’t Think Twice It’s Alright”:
For my first serious remix, I thought I would take on Childish Gambino’s “This Is America.” I have the a cappella and the instrumental, and it feels like a timely song. I put the instrumental on one deck and the a cappella on the other, and did my best to improvise a mix in real time.
Hip hop old school rappers
“[This] might sound a bit subjective, but the most valuable thing I learned was how to be more sensible about the emotion that every type of chord can produce, and not only a single chord, but in the context of a chord progression by how each chord note moves to the next.”
If you already have some lyrics written, really think about how a motif would work with your most important words or phrase. Start by saying them out loud in a few different ways. This will give you a really basic idea of the rhythm you might use and an inclination of where the pitch naturally rises and falls. Use your phone to record yourself.
He alleged that Porter had used Arnstein’s “The Lord Is My Shepherd” as the basis for his “Begin the Beguine” (premiered in the Broadway musical Jubilee), as well as “A Modern Messiah” for his “Don’t Fence Me In” (originally written for Adios, Argentina), and “A Mother’s Prayer” for his popular song, “My Heart Belongs to Daddy” (premiered in Leave It to Me!).
Speaking of research, since artists love to talk about themselves, it’s often quite easy to find out who influenced your favorite singers! A quick search will often turn up a comprehensive list. For example: if you’re particularly into Bob Dylan, you might benefit from reading Ginsberg, Rimbaud, and Kerouac, or listening to Woody Guthrie.
A short essay on why we should’ve never eaten the apple of industry-approved digital music streaming, and why the low-bitrate MP3 is all we really need.
Minority grants for college
Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.
“This Is America”: We’ve found the first of this year’s modulating pop tunes: changing from a gospelly F major to what I hear as E♭ Phrygian, which happens whenever Gambino shoots someone (in the video). I hear it as Phrygian because of the shark-in-the-water E♭ and E (or “F♭” if you’re being kosher theory-wise), and then the high-pitched whistle being a solid B♭, so there you go: E♭ Phrygian. Elements from the two tonalities fuse in places, like at 1:35 where there’s what sounds like a sample of previous F major vocals that drone on the very-not-Phrygian notes A and C, creating a heavy tension. This fusion is also present in the outro. Rhythmically, watch out after the second chorus, where it sounds like they added or skipped a beat, but they didn’t. It all flattens out after a few thumps.
It is said that Dragonetti influenced Beethoven’s composition deeply, reorienting the composer’s eye toward making more creative use of the double bass in how it interacts with the rest of the orchestra. As for his own composition, he really took it upon himself to expand the repertoire for double bass, having written dozens of short works for double bass and piano, string quartets, as well as a sort of “instruction manual” with exercises and studies for the instrument!
Frances Katz began her career writing about MTV and Napster. Now she writes about technology, music, business, and culture for a variety of publications including The Week, The Atlantic, Paste, The New York Times, Ploughshares, and others. She lives in Atlanta, but you can keep up with her on Twitter.
Every step of the mixing process is covered, from setting up your room, to use of plugins and recommendation for free plugin options, and finishing touches before delivery. Senior’s advice is well-written, specific enough to be incredibly useful, and general enough to apply to any DAW or any genre an engineer finds themselves working in.